- The theme music. Holy crap, the theme music.
- Kirk's whole "space cowboy" schtick is deconstructed, he's given a midlife crisis, his overconfidence gets a lot of people - including his best friend - killed. Meanwhile, the best Star Wars was ever able to manage was cutting off the hero's hand and having the villain tell him they were related. No contest.
- They actually killed off a popular regular (yes, they brought him back in the next film, but this is not a post about that).
- They actually damaged the Enterprise model.
- They gave the characters proper uniforms.
- KHAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAN!
- They seamlessly integrated a new character and let her bounce off Kirk and Spock flawlessly (seriously, try to imagine this film without Saavik. No Kobayashi Maru test, so no discussions of the no-win scenario; nobody willing to second-guess Kirk when he's obviously wrong, etc.)
- The special effects - and especially the nebula battle - still hold up today.
- And at no point is an effect or an explosion gratuitous. Because they were willing to damage the Enterprise model - and because the script conspires to never have either ship get shot at while its shields are up - every shot does damage. Every shot gets people killed.
Thursday, June 4, 2015
Star Trek II: The Wrath of Khan turns 33 today.
Here are some reasons it's the best space opera film.
Subscribe to:
Post Comments (Atom)
Image of the Week: Pearl Harbor and the Fog of War
I follow a lot of naval history accounts, so this "Japanese map showing their assessment of the damage done to the United States flee...
-
Every once in a while there's a fortuitous intersection of two unrelated stimuli that provokes a profound reaction and inspires the incr...
-
Back to the very beginning. This is a lie. "The beginning" would surely be a review of Ian Fleming's 1953 novel Casino Royale...
No comments:
Post a Comment